APPART PROJECT

AP

ART Project (2015)

AP<P>ART Project Dates (IRAN- In conjunction with Limited Access Festival),

Curated by Morehshin Allahyari and Myriam Vanneschi:

http://limitedaccessfestival.com/

Exhibition in Shiraz: December 12-17 —–> Dar al Hokoomeh at shiraz Artist’s Gallery

Panel in Shiraz: December 14 —–> Dar al Hokoomeh at shiraz Artist’s Gallery

http://daralhokoomeh.com/

Exhibition and Workshop in Tehran: December 19-24 —–> Darbast Platform

A prominent dialogue in computation within the last decade has been the mobile platform. Artists have been re-purposing software and apps to create a critical visual language that didn’t exist before. The use of apps in different cultural contexts and with access to certain technologies creates a technological aesthetic that is glocal (local + global). In the predominantly ‘Western’ industry of mobile apps and phone development, the technological and cultural adoption of these technologies are re-defined and mutated by different regions around the world. The AP<P>ART project reflects on these ideas and the interplay of mobile apps and visual language within cultural, social, and economic boundaries of regions; exploring how artists from different parts of the world use phone apps to push the possibilities and limitations of art and technology.

The AP<P>ART project includes two exhibitions and a series of panels and workshops in Tehran and Shiraz to establish a rarely attentive conversation among the artists in global north and Iran. Thinking about both the digital gap and continuity of technology and how users and eventually artists approach and shape the social and cultural aspects of tech, geopolitics and aesthetics.

Participating Artists: Morehshin Allahyari, Anthony Antonellis, Amirali Ghasemi, Mohsen Hazrati, Anahita Hekmat, Claudia Maté, Kimmo Modig, Mani Nilchiani, Eva Papamargariti, Yoshi Sodeoka, Angela Washko.

Workshop by: Anthony Antonellis and Pussykrew

Morehshin Allahyari - In The Realm of Rare and Analogous Accidents

In The Realm of Rare and Analogous Accidents (2013)

Found footage from Gholam Jandarm (1972) – Iran + Rio bravo (1959)- United States

Side by Side; Searching for a relationship that defines the states of belonging; The space in the middle. Questioning the power of the image… the image that guides us. The image that lies.

“Something is of course always lost when we get to see only one side. It is for the exact same reason that one must have the courage to confess the pain of the coma-like contrast of life and cinema. In this scenario, somehow we must put it all together to see the big picture; While in the state of unconsciousness, we are stuck at the thin edge of a screen where two worlds, two countries, and two cities separate for the sake of it. I feel helpless standing in the middle. In this chain of accidents, in this battle of guns and bombs, in the pile of my notes, thoughts, and nostalgic memories of Texas and Tehran, the world lacks trust in common sense.”

  • (From the text in the video).
Morehshin Allahyari - IRUS Art Project

IRUS Art Project (2008-2010)

IRUS art is an intercultural collaborative art project between the artists in Iran and the U.S. I am the co-founder, organizer, and one of the artists of this project. Our team was consist of eleven artists in Tehran and nine artists in Denver. For one year, we established collaborative projects between our groups. By mailing incomplete artworks from Tehran to Denver and from Denver to Tehran through Istanbul or friends traveling between the two countries (no object can be mailed directly between Iran and U.S.), completing them in our respective cities and sending them back, we have built a collection of completed pieces.Using the theme of “Dialogue,” it was our goal to the perspectives of each group in a respectful, trusting and encouraging manner. In this process, we were not only developing art, but also participating in a functional dialogue with each other as artists and individuals (and not necessarily “nations”). A combination of painting, video art, drawings, photographs, software, street art, and design was featured in Denver at the Andenken gallery in the spring of 2009. A selected version of this show was featured at the Co-Prosperity Sphere gallery in Chicago, January 2010.